🎵 Release 06: Life’s All Good
Genres: Juke/Footwork, Dubstep, Vaporwave, Experimental Electronic, IDM/Glitch
Composed: 2019
BPM: 140
Length: 3 min 04 sec
Format: MP3 + High-Quality WAV
License: Commercial Non-Exclusive (Limited Commercial Use, No YouTube Monetization Guarantee).🔹 Ideal For
Artists, content creators, and small businesses seeking an affordable license for:
✅ Streaming
✅ Digital sales
✅ Live performances
✅ Podcasts, indie films, ads, and creative projects🔹 License Details
Type: Non-Exclusive, Limited Commercial Rights, Royalty-Free
Commercial License Includes:
✔ Permission to use the instrumental on one commercial channel/account, without a stream/view cap.
✔ Usage in digital sales (iTunes, Amazon Music, etc.), live performances, radio play, podcasts, indie films, and ads.
✔ One-time license fee – no recurring payments.
✔ No royalties owed after purchase.Important Notes:
⚠ YouTube & Instagram Monetization: Not guaranteed; this beat contains loops that may trigger Content ID claims.
⚠ Responsibility: You assume full responsibility for resolving any copyright claims or disputes.
📌 Credit Required: Please credit 2TOOTH as the producer in your release description or metadata.✅ You CAN:
Use the beat commercially on platforms like Spotify, Apple Music, SoundCloud, Bandcamp, etc.
Sell your finished song on digital stores (iTunes, Amazon Music, etc.).
Use it in live performances, gigs, and radio broadcasts.
Sync it in podcasts, indie films, advertisements, and video content.
❌ You CANNOT:
Claim ownership of the beat (copyright remains with 2TOOTH).
Resell, sublicense, or redistribute the instrumental.
Modify, remake, or customize the beat (pre-made loops cannot be changed).
💰 Price & Delivery
One-time license fee (affordable non-exclusive option).
Instant digital delivery: you’ll receive a high-quality WAV instrumental file upon purchase.
Royalty-Free: You pay once, no royalties required beyond the upfront license fee.
Life's All Good - Limited Commercial
“Life’s All Good” is one of my favorite compositions from that time. Before I got into production, I spent a lot of time on guitar, experimenting with bending notes using my fingers, the whammy bar, and cry babies. This track, though, was a whole new adventure—I had just gotten my first MIDI keyboard, and this was my first time learning how to use it. The first thing I tried was pitch modulation on the synth, bending sounds just like I used to on guitar. I think this is the only real “human touch” in the track.
Unlike my earlier compositions, I started to crave adding my own personal elements to the music. I was getting comfortable changing the tempo and scales midway through the song, something I hadn’t done before. Although my mixing wasn’t perfect yet, I stuck to using synths because they gave me clearer, more accurate sounds to work with during the mixing and mastering process.
I set out to create an upbeat hip-hop track, blending some fun and energetic vibes. While I think I got halfway there, it was still a big step forward in terms of how I was experimenting and bringing my personal input into the music-making process.